Suzy Smith returns home with new exhibit at the Nicolaysen Art Museum

Suzy Smith returns home with new exhibit at the Nicolaysen Art Museum

Here is a link to the article of my exhibition at the Nicolaysen Art Museum, in Casper, WY, in the Casper Star Tribune.  I have added a few more photos of some of the paintings in the show.

 

"In the Sunlight", oil, 11" x 17"

"White Cattleya Orchids", oil, 24" x 30"
 

 

 

"Gumballs with a Prize", oil, 24" x 24"

Dia de los Muertos!

 

This is just a quick preview of the painting I am currently trying to finish.  (It is hard to photograph because of the light face, and dark background, as well as the shine.)  I started this painting after my dad passed away, because I have always wanted to paint a "Day of the Dead" painting, and it seemed like the time was right.

This Mexican tradition is a beautiful way to remember loved ones who have died.  It is associated with Halloween (in the United States), and All Saints or All Souls Day, in Mexico, and around the world.  It is also celebrated as a holy day in the Catholic church.

The beauty of the holiday is that family and friends gather to pray for, and remember those who have died.  Traditions include building private altars honoring the deceased using sugar skulls, marigolds, and the favorite foods and beverages of the departed, and visiting graves with these as gifts.

The intent is to encourage visits by the souls, so the souls will hear the prayers and comments of the living directed to them.  Orange Mexican Marigolds are the flowers most often used in the celebration, as they are believed to attract souls of the dead to the offerings.



Because I live in New Mexico, the tradition is alive and well, and I am fascinated by it!  Two years ago my model Harmony, dressed up in appropriate makeup and dress, and we went to the Dia de los Muertos parade in Albuquerque.

I would say close to half of the people at the parade were dressed in Day of the Dead costumes, and although the parade was not exactly what I had hoped it to be, we had a good time. Perhaps I will attend the celebration this year, as I now have a close experience with death.  I am trying to learn to celebrate my dad's life, as I still muddle through the grief of losing him.

 

"Dia de los Muertos"



After the Photo Shoot!

My model of the last three years was in town for the first time since she left, and we had a great photo shoot! These photos were taken after the shoot....

Artist Statement.....

Writing an Artist's Statement is always a daunting task, and I have written variations of it many times, as my work is continuously evolving.  It is hard to condense all that you want to say, and all that has gone into a body of work, or a lifetime of painting into a few paragraphs, but having said that, here is my latest artist statement:

The girl next door, the playmate, and even photographs of women in Vogue magazine, are the images I grew up with in the late 60's and early 70's.  They had a huge influence on me, and what I paint today.  When I choose a model, she has to have that girl next door quality that we have all known (or been) to make the best subject, and hence the best paintings.  When I photograph my model is when the creativity really takes place, and if we are lucky, working as a team, it becomes almost magical.  When I see "it", the "perfect" fleeting moment, I know it, and hopefully capture it on film, which is later translated into oil on canvas.

My current work focuses on the idealized female nude in front of an iconic artwork, which allows me to not only pay homage to my favorite artists, but to paint in different styles, contrasting figures with background.  It may be that the background is painted with thick paint that allows for a difference in textures, or it may be that a complex, or organic design adds to the sensuality or spirituality of the painting.  The women I paint are truly the girls next door, but have come a long way since the 60's, and I find their strength and beauty to be a product of our uniquely  American culture.www.suzysmithart.com

Scott Richards Contemporary Art.....new gallery representation.

My art work is now being represented by Scott Richards Contemporary Art in San Francisco.  It all happened very suddenly, but I am so happy to have my art seen in both of Scott's galleries: Tangent, which is located just off Union Square (street level) at 373 Geary Street, as well as his main location at 251 Post Street. 

I have been going to the galleries at 251 Post Street since I lived in the Bay, 17 years ago, and Scott's galleries definitely do not disappoint!  He and his amazing, and friendly staff show contemporary art by many incredible artists, and I am excited to be a part of it!

"Laura with Narcissa's Last Orchid", oil, 24" x 18", by Suzy Smith

As an artist, people often ask me if I didn't sell my work would I still paint....and of course the answer would be a resounding YES!  It is always an interesting question to me, because there is nothing I would rather do than paint and create....not saying it is always easy, but to me, part of the act of creating is to share your vision with other people.  Sometimes your work is not liked, or people don't understand why you are painting it, and I learned very early on, you need a thick skin sometimes to be in this business.  And make no mistake.....it is not only a creative endeavor, but it is a business.  That is why I am so excited to have my work actually hung and seen!!  Now as far as selling......I would still paint without sales, but selling the work becomes the final act of validation!  It is a bonus of creating to get a nice check in the mail....

"Reverie", oil, 40" x 30, by Suzy Smith

art MRKT San Francisco

Last weekend was artMRKT San Francisco, held in an old warehouse in Fort Mason.  16 years ago I lived in Fairfield, CA, a 45 minute drive from San Francisco...half way to Sacramento, so I always love returning to the Bay!
Driving into the city is always a thrill for me....maybe because I am from a small town in WY, but I love the sights of the city crossing the Bay Bridge!  What a view!  What a city!

The opening was Thursday night, and after a day of walking in San Francisco, in what I thought were comfortable shoes...but they weren't, I was looking forward to going from door to door as our taxi picked us up at the Union Square Marriott, and dropped us off at the art market.......well, he dropped us off all right, about 5 blocks from the actual building.  The wind was blowing, and it was cold, but eventually we made it to the event.

 

Shane and me at artMRKT San Francisco

 

We met up with my niece Mackenzie, and her friend Stephanie, and headed in to the fair. There was a lot of incredible art, and after we got a glass of wine, we headed for the Modernism booth.  There were many beautiful distractions along the way, and many amazing galleries from around the country represented, but we eventually made it to Modernism.  Martin Muller (Modernism's owner, and prestigious dealer) was there, along with Danielle and David.  There was a Mel Ramos hanging as you walked into the booth, with an incredible Gottfried Helnwein as the main attraction.  Then I saw my painting on a side wall....it was small, but to be hung along side the other Modernism artists was an amazing feat for me!

 

 

Martin Muller and me

 

I felt like the event was a success, so we left happy, after going through almost every gallery, and went to Lori's Diner for a late night meal.

 

The next day we went to some of my other favorite galleries on Post Street and Geary, and saw some more incredible art, by some of my favorite artists! 

 

A perfectly beautiful afternoon of clear skies, wine and cheese, and I'm sure, some of the most beautiful views of San Francisco, the city has to offer, followed.  From Alcatraz to the Golden Gate Bridge, sitting high above the city, we enjoyed the perfect setting, and talked about art.  I don't think life gets much better!

 



 

 

Back to painting!

Since returning from my father's funeral, I have started 4 paintings, and not finished one....yet.  They will be finished, but are each in various drying stages.  I have begun painting a "Circus" series, which promises to be interesting and exhilarating!  Until then here is a glimpse at a painting that is close to being finished.....no name yet.....will probably work on the hair some more...it didn't photograph too well.

My dad....

Because this blog recounts not only my life in art, but my life as a person in the world, I wanted to write about my dad; David McGonigle Lockhart, who passed away one month ago today.

My dad was a large part of who I am today, and the hardest part of losing him, is that as a daughter, I knew he always had my back, and now he is not there.  (I do believe he still has my back, but in a different way.) 

Portraits...

 

"Bohemian Rhapsodies"

 

  

"Sara"                

 

As I continue to finish paintings that have been in the works for awhile, here are two more that are close to being finished.  I still may refine the hair, especially in Sara, but overall they seem finished.  I am still considering titles for the "Art Nouveau" painting, and I still can't decide whether or not to add a black velvet choker...which she was wearing when I took the photo.  Any suggestions?

More Cakes!

I have noticed, looking through my blog, that I have posted many photos of this painting in progress, but here is the final finished painting.  I have made a few revisions, and I think I am happy with it now. 

"Reverie"

 

I have finally gotten this painting to a point where I want to post it.  I really like it! Although that doesn't mean I won't work on it some more if I feel it needs it.  (Sometimes after a painting sits for a while, I see things that I don't see immediately after I "finish" the painting.) 


To me this painting has a spiritual feel to it, I think because of the circle, and the way my model is holding her arms.  I especially love my model's face!  What a beauty!

Close up photo.

I have been working with my new camera, and editing, but think I may need to take a class...I keep thinking my focus seems a little off, so here is a closeup at Vivid setting, to see if this looks more like the actual painting...or more how I'd like it to look...lol

"Frosting"

I am still trying to finish up some paintings that I have been working on for awhile.  I paint the figure first, then the background, and then do it all over again.

Time to repaint the background, making it brighter and with thicker paint.  Then when the background dries, I will loosen the hair up a bit.  Getting closer to being finished!  Yay!!

Painting Update.

I have been posting a lot of unfinished paintings on this blog, and then I see them on other blogs in their unfinished states, and cringe a little.  Anyway, I am finally at the point of having so many unfinished paintings, that I am buckling down and working on finishing some of them.

This painting; "Gumballs with a Prize" has been blogged (by me) quite a few times, but I knew the back wasn't quite right..so I have revised it once again...and hope this is finally the finished painting.

International Artist Magazine Article

 

A few weeks ago I got an email message from International Artist Magazine that they were going to print my article "Recreating What You Find to be Beautiful".  I was a little confused, because I had written an article for the magazine two years earlier, but with a different title.

So I got out the article I had written, and realized that it probably was the same article.  I wrote the magazine, and sent them newer photos/paintings, to supplement the article .....but alas, when I found the magazine at Barnes and Noble, while in Phoenix last week, it was basically the original article I had written.  I'm not complaining, but it did take me by surprise.  I had assumed that they were not going to run the piece.

 

The article is 8 pages long, the figurative pieces seem a little orange, and they printed two paintings in progress that are almost the same.  I thought they would run one of a figurative painting in progress, or a flower painting in progress, but not two white floral paintings in progression.....

I guess the lesson learned is that the magazines will print what they want, so only sent what you really want to see in print.

In the end it is a privilege to be in the magazine, and a wonderful way for people all over the globe to see my paintings!  To see the completed pieces, go to my website www.suzysmithart.com .

 

Painting in progress continues...

I have continued to paint  on this painting, and have added and adapted an Art Nouveau design to the background.. I still hesitate posting the entire painting, although I have posted it on my facebook Suzy Smith Art page.  I still haven't resolved and completed the whole painting, but love where it is going!

Blogs...a thing of the past....already???

My son has informed me, through articles, that blogs may becoming a thing of the past, and that Tumblr and Instagram are the way to go.  Another article commented on how most bloggers now are middle aged women or young mothers......probably true.

Having said that, I still write on my blog, although not that often, and I use it almost like a journal.  I also keep a journal, but find I am writing less and less in it, (more personal stuff) and instead post on my blog.  For my Tumblr and Pinterest accounts, I use those mostly for finding ideas and fashion that I can use in my paintings.  Whereas I used to have to pull out all the images I wanted to use as a "jump off" place, (for a photo shoot) in folders of images torn from magazines, I now just go to my ipad, and pull up the beautiful visions, and multitude of ideas.  As far as Instagram goes, I am just getting started on that.

I think blogs are still a good thing, and I go to many art blogs that are amazing.  Also I noticed that on Pinterest, many of the food pictures link to food blogs, which is where you can find the recipe for the wonderful dish.  The same goes for crafts.  I find I need to buy fewer magazines.  Maybe blogs are just evolving with the culture.

"Gumballs with a Prize"

As I continue to work on the painting from the previous post, I am not ready to post it yet.  (It is looking amazing though!)
I recently posted a photo of my painting of my model with gumballs on facebook, and then realized that it was not the finished painting, so I am posting the finished painting here.  (Although I am going to do a little more work on the lower back.)
As a side note, I just read an article in the Artist's Magazine (Sept. 2012) www.artistsmagazine.com, titled: Back to the Garden. It talks about nude versus naked, and interviews Juliette Aristides, Anthony Ryder, Sharon Sprung, Costa Vavagiakis and Mary Beth McKenzie.  These artists are all exceptional figurative painters, but what interested me most was their thoughts on the "model as muse".  Because I have been painting Harmony for so long, I can totally relate to what they are saying. (This is my latest photo of the painting, and it is a little shiny on hair, upper right....will rephotograph.)

Aristides says: "The idea of a muse encapsulates a real phenomenon: meeting someone who captures your imagination. A particular model can physically complete an artist's thoughts and give clothing to an idea--it's a real collaboration and not something you can set out to make happen."

Sharon Sprung says she feels fortunate that she can work with the same model over time.  "It's woman painting woman; the model feels safe," she says.  "The picture is a portrait of me, as well as the model."

Then Costa Vavagiakis, goes even further by saying; "There's a level of detail that's developed over time. A model makes a commitment.  "It becomes symbiotic," he says.  "You (the artist) are a vessel, and she's a vessel.  There's a receiving back and forth."  He also says: "Nothing presents the human presence as much as the gaze back."

 

I agree with all those statements and feel that finding a model that you can work with, get to know, and paint over and over is one of the pleasures of painting figurative paintings.  Hopefully when you find that connection, the emotion, feeling, and beauty come through in the painting.

Painting continues...

I have "laid in" the first layer of paint on the figure, and think it is looking amazing!  The figure is very pale, which I really like.  As my work has evolved over the years, my palette has changed, and I now use much less orange, or color in my skin tones.  Also I have noticed a trend of pale skin in fashion and make up.

After I add the background, (which I have already started), the figure will probably have to be darkened, and refined, of course, but for a first layer of paint, it is looking good.  I will post pictures of the painting with the background when I am further along....

Day Two....

Yesterday I worked on the hair.  Blocking it in, and then I'll go in later and refine it...probably more than once. I have been adjusting the face color as I go along, and once again think I prefer my old camera's photo of the painting.  The new camera seems too light, and when I put it on vivid it turns too orange and green.  When I darken it, it somehow lacks definition???  (Still working it out.)

At this point, I start to consider the background.  My husband suggested wings, which would look really cool, if I could get them to look real enough.  (I just don't want it to look too Victoria Secret.)  And while I know "you" haven't seen what the whole image that I am painting will look like, yet, I am thinking of incorporating something I have never done.......but I'm not quite ready to share it.  It could be amazing!!